We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
We're seeking new members for our 2025 Board of Directors, as well as our founding Associate Board for young professionals 35 and under. Details and application at each of the links above.
Requests? 773-DJ-SONGS or .(JavaScript must be enabled to view this email address)
written by Mike Nikolich
When Sparkletears delivers their sonic assault at CHIRP Night at the Whistler on Wednesday, Sept. 26, you may be surprised by what you hear and see.
The Chicago trio plays an infectious blend of garage rock, punk, surf and doo-wop that sounds familiar, until you realize those noisy guitars aren’t guitars, but an electric, solid-body ukulele. And, it isn’t a gimmick; it’s how this band rocks.
Welcome to Music and Malt, a series that examines the intersections where music and beer meet in Chicago.
by Rebecca Suzan
It was August 2017 and I had just moved to Chicago. Eager to get a taste of the city’s craft beer scene, I headed to Half Acre Beer Company’s Lincoln Avenue brewery one Saturday morning for a tour. Music was playing throughout the brewery. The music continued playing during the tour so that our guide had to project his voice over it. That moment made me wonder if the brewers played music while they worked and the “Music and Malt” blog series was born. I was fortunate to close out the summer with the brewery that sparked this series, attending Half Acre’s 2018 The Big North. The Big North, an annual event held at the brewery’s Balmoral facility, showcases limited edition beers and local bands for a quintessential Chicago party.
When I arrived at Balmoral, the line stretched the length of the building and around the block. Attendees show up early for this party, and with good reason: the beer is first come first serve.
Standout selections included the “2018 Benthic,” a barrel-aged imperial stout with coconut and coffee, the “Red Raspberry Loam,” a fruited wild ale, and the event’s namesake beer, “The Big North,” a peach lacto pale ale. The peach pale ale in particular was refreshing, easy drinking, and it took the top spot as my favorite of the day.
While beer was front and center at the event, it was by no means the only diversion. Live music on an outdoor stage, photo booths, a balloon artist, axe throwing and shuffleboard, local crafters selling their wares, and CHIRP radio came together to fill out the facility’s production space, beer garden, and tap room. And though there was something to see or do to satisfy every sense, the atmosphere remained relaxed. “This is low key,” one attendee told me as we sat at a picnic table scarfing down burgers and chips, “It’s not like other beer events where there’s pressure to hit everything.”
Each of the three Chicago-based bands that took the stage made sure to keep the good vibes coming. First up was dreampop quartet Divino Niño, whose surf rock melodies were a perfect backdrop for sipping brews on a warm afternoon. Dehd took the stage next, bringing the energy with a brand of garage pop that made the thirsty throngs waiting on line for their next beer stop and take notice. Psychedelic outfit Post Animal was the last to play, and they were the perfect cap to the event. Though they would be at home among any number of ‘60s acts who’ve influenced them, Post Animal has turned nostalgia into a fresh, contemporary sound.
And, as the warm afternoon turned into a breezy night, a few people still trickled into the party, while others, riding on their well-established buzzes, took selfies with their balloon animals. I was thankful to get back to the brewery that inspired this series, and I can’t wait to check out The Big North again next year.
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Welcome to The Fourth Wall, CHIRP's weekly e-conversation on cinema. This week's subject is the 2013 comedy-drama Drinking Buddies.
This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.
Kevin:
We've delved into the world of marriage in The Fourth Wall via Revolutionary Road, but I don't think we've done the same with dating and singledom? Countless hours and millions of dollars have gone into trying to figure out which sorts of people are compatible. And parsing it further, which traits are compatible. Christian Rudder turned the "science" of compatibility into a dating website (OKCupid) and later a book (Dataclysm) which revealed all sorts of interesting societal quirks that were gleaned while trying to crack this mystery.
[Something that CHIRP listeners might appreciate is the Dataclysm breakdown of musical preferences in dating profiles by race. In a finding that will likely surprise no one, there apparently ain't a band that denotes "whiteness" more than Belle & Sebastian. Ha!]
In Hollywood, the notion of compatibility has historically been rather simple. How many times have we seen partners portrayed as being completely alike... or polar opposites? "Let's draw up a man and woman who have nothing in common, and watch the sparks fly when they meet!" Though I generally get the feeling that when film and television depict already-established couples, they're often more alike than not? Steven and Elyse Keaton of Family Ties. Claire and Cliff Huxtable of The Cosby Show (uh, too soon...?). Any of the mob wives on The Sopranos. (We would expect them all to be as shallow and materialistic as their criminal husbands, and we are not disappointed.)
In director Joe Swanberg's 2013 film Drinking Buddies, we follow a pair of seemingly disparate Chicago couples. Kate (Olivia Wilde) is a free spirit who's also the marketing arm of Revolution Brewing, and she's seeing Chris (Ron Livingston), an introspective bookworm and music producer. Meanwhile, Kate's co-worker, the gregarious Luke (Jake Johnson) is a toiler on the brewery floor who lives with Jill (Anna Kendrick), a sweet, well-manicured woman who enjoys fine arts in her spare time.